daveon | Reading

War crime survivor turned expert swordswoman and student sorcerer Cheon resolves to obliterate the nation responsible, make herself queen, and find a like-minded woman to court.

The Four Wishes (Cheon of Weltanland, volume 1) by Charlotte Stone

james_davis_nicoll

Ironsworn, Starforged, and Sundered Isles, tabletop roleplaying games of perilous fantasy, space opera, and seafaring adventure by Tomkin Press.

Bundle of Holding: Ironsworn-Starforged

james_davis_nicoll

2009: The Horrible Histories TV show debuts, Britons are treated to a Giles-worthy winter, and police decline to investigate the cash for influence incident so that they might better focus on the custard-tossing scandal rocking the nation.

Poll #33480 Clarke Award Finalists 2009

Open to: Registered Users, detailed results viewable to: All, participants: 31

View Respondents

Which 2009 Clarke Award Finalists Have You Read?

View Answers

Song of Time by Ian R. MacLeod
1 (3.2%)

Anathem by Neal Stephenson
26 (83.9%)

House of Suns by Alastair Reynolds
9 (29.0%)

Martin Martin's on the Other Side by Mark Wernham
0 (0.0%)

The Margarets by Sheri S. Tepper
6 (19.4%)

The Quiet War by Paul J. McAuley
7 (22.6%)

Bold for have read, italic for intend to read, underline for never heard of it.

Which 2009 Clarke Award Finalists Have You Read?
Song of Time by Ian R. MacLeod
Anathem by Neal Stephenson
House of Suns by Alastair Reynolds
Martin Martin's on the Other Side by Mark Wernham
The Margarets by Sheri S. Tepper
The Quiet War by Paul J. McAuley

With an * on the McAuley because it was too grim and I didn't finish it.

andrewducker

I went to the toilet at 4am a few days ago, and bumped into Gideon coming back from a toilet trip. Apparently he just takes himself if he wakes up in the night. No idea how long this has been going on for!

(Sophia comes and gets me, for company.)

james_davis_nicoll

The winners are:

Best Novel: The Siege of Burning Grass, Premee Mohamed, Solaris
Best YA Novel: Heavenly Tyrant, Xiran Jay Zhao, Tundra Books
Best Novelette/Novella: The Butcher of the Forest, Premee Mohamed, Tordotcom
Best Short Story: “Blood and Desert Dreams“, Y.M. Pang, Beneath Ceaseless Skies, Issue 408
Best Graphic Novel: Star Trek Lower Decks: Warp Your Own Way, Ryan North, art by Chris Fenoglio, IDW Publishing
Best Poem/Song “Cthulhu on the Shores of Osaka“, Y.M. Pang, Invitation: A One-shot Anthology of Speculative Fiction
Best Related Work: Year’s Best Canadian Fantasy and Science Fiction: Volume Two
Stephen Kotowych, editor, Ansible Press
Best Cover Art/Interior Illustration: Augur Magazine, Issue 7.1, cover art, Martine Nguyen
Best Fan Writing and Publication: SF&F Book Reviews, Robert Runté, Ottawa Review of Books
Best Fan Related Work: murmurstations, Sonia Urlando, Augur Society, podcast

andrewducker

My Dropbox Camera Uploads folder was up to 115GB and 18,000 files (dating back to 2010). So I went through and divided it into subfolders based loosely on years. Turns out that I take as many photos per year since Sophia was born as I took in the whole time from 2010 until her birth.

And that I take about 2,000 photos/videos per year, coming to about 15GB.

I also discovered that if you move 2,000 files from one Dropbox folder to another then it takes about 15 minutes to process the changes!

andrewducker

Pretty big fire on Arthur's Seat.

(The kids were just discussing whether the volcano had erupted, which I think we're pretty safe from.)
Original is here on Pixelfed.scot.

james_davis_nicoll

Two Americans set out for Venus. Only one returned. Where is the missing man? Evans knows but Evans is not a reliable witness.

Beyond Apollo by Barry N. Malzberg

james_davis_nicoll

A book I'm thinking of having play an important role in the campaign is Heinrich and Moritz Tod's Morally Uplifting Tales for the Edification of Recalcitrant Children, the Tods being the Old World analog of the Brothers Grimm. Uplifting Tales is an important cultural artifact and also the sort of book you'd read to kids at bed time if you wanted them to cry themselves to sleep.

james_davis_nicoll

The Sidewise Award for Alternate History is looking for new judges to join the award committee.

This is the first time in the 30 year history of the award that they've made an open call for awards judges.

Apply here.

andrewducker

I remember seeing a game which looked amazing. The whole world was destructible, there were thousands of different combinations of things to find in it, and they'd put a ton of effort in to making it a fun experience.

I played it for a couple of hours, and got bored of it, because it turns out that that isn't enough for me. Because what they'd made was also a Rogue-Like. Which is to say that it completely resets back to the start when you die, and that start randomly creates the world that you play through.

And I don't want to play through a whole different world each time, where everything is different to the last time I played. What I want for a solo game is for someone to lovingly craft a world, and then for me to learn that world inside out as I try to beat the various challenges in it*.

A few months ago

danieldwilliam sent me this link to a Neal Stephenson essay. And while I didn't agree with him about everything, the idea of "microdecisions" has stuck with me. That what makes art art isn't the idea (although good ideas are important) it's all of the ways that that idea was reified into the finished work.

A key quote:
Since the entire point of art is to allow an audience to experience densely packed human-made microdecisions—which is, at root, a way of connecting humans to other humans—the kinds of “art”-making AI systems we are seeing today are confined to the lowest tier of the grid and can never produce anything more interesting than, at best, a slab of marble pulled out of the quarry. You can stare at the patterns in the marble all you want. They are undoubtedly complicated. You might even find them beautiful. But you’ll never see anything human there, unless it’s your own reflection in the machine-polished surface.

And if that works for you - if staring at the swirling polished surfaces is what makes you happy, then I'm delighted for you. I've certainly been very entertained by generated patterns myself in the past. And I can totally be distracted by it for short periods of time. But when I'm looking for something actually *engaging* then right now it doesn't work for me. I need something human** in there.

Another example of this - movies. The more that special effects became good enough that movies could show me *anything* the more I wanted things with *character* in them. Things where you could tell that someone (or some group of someones) had really wanted to get something out of their brains so that other people could see the world the way they see it. I was discussing with

swampers the other day that we really appreciated the movies that A24 are putting out, because even when they're a bit of a mess they're a really interesting mess that someone had obviously cared about. The trailer for Eternity looks like it would absolutely annoy me in parts, but it would do so because I'd be experiencing someone's thoughts about the world, and I might learn something about them, and maybe also about me for engaging with it.

*Multiplayer games are different. When I played a ton of Minecraft with Julie I was happy for her to set the direction of what to make, and then I'd treat that as my challenge. But sandboxes with no set challenge don't interest me. And I have played a chunk of games like Slay The Spire or Balatro or Dead Cells . But even then I'd play for enough to get the hang of it and then stop, usually without actually beating it, because "Go back to the beginning and beat that for the 500th time so that you can spend 10 seconds losing the end before starting again" isn't much fun for me. Even with Hades, which does a great job of giving you a meta-story around each run that grows as you replay, I got all the way to fight Hades, lost near-instantly, and the thought of replaying the entire game for 20 minutes just to lose to him again filled me with exhaustion and I haven't been back since. If Noita had a "save" function and a set of specifically designed levels that were fun and were definitely beatable *and* a random world generator you could use once you'd played those levels then I'd probably have invested a lot of time in it.

**I am not against the idea that eventually AIs will achieve consciousness and attempt to impart something to us through the medium of art. And that would interest me. I just don't think that the generators we're currently investing in are that.